Bringing together a collection of renowned names in the Jazz scene in Chicago, Michele Thomas has arrived with a sublime collection of gospel-infused jazz music in ‘The Assumption’. A renowned name in the Chicago music scene, combining experience as a singer and a treasured educator, Michele Thomas was always bound to see community support when she looked for funding to actually craft her work. Her first crowdfunding resulted in her actually managing to gain finances to put out the project. The result is a eleven track expedition that combines originals and covers into a synthesis that has range, depth, and quality.
You never feel for a moment that The Assumption is stagnant or static. It continually seems to reinvent itself, constantly showcasing new stylistic elements or fresh takes on something old and treasured. Centring the record alongside a single question that is ‘What is trust?’, she pours her heart and soul into a series of track that are loaded with soul within. The first vocal performance on ‘No More’ itself immediately reels you into Thomas’ power and swagger. Even the covers don’t really adhere to a single narrative or style, with Coltrane and Blind Faith being adopted by Thomas. There’s a sparkle to the record, a sense of variety and a sheer love for the craft that comes out not just in the vocals but also in the instrumental arrangements that are each delivered with swathes on swathes of passion.
You’ll find a more slower relaxed and smooth track like ‘Love Dance’ to enjoy with a loved one and you might also find a more upbeat and engaging tune for a crowd like ‘I Know Because You Told Me So’. Thomas is clearly a storied musician, imbibing a host of influences that are resplendently displayed on ‘The Assumption’. Far from what a pretentious or snobbish jazz record meant for holier than thou purists, ‘The Assumption’ is a celebration of community. It’s for everyone, and everyone can find their piece within it.