Raucous, industrial, and noisy as hell, Kim Bertrand doesn’t spare any punches on the visceral rage and freneticism she unloads on “motherfaker”. The eclectic and unapologetic piece of punk and noise rock is a jagged and abrasive piece. It’s meant to provoke, to elicit a response out of you. There’s no way you can play this and not have a reaction, just falling backwards over the sheer audacity of the arrangement itself. There’s no point playing this softly and subtly, its meant to be experienced at the extremes because it represents and stands for that extremism itself.
Blast it at the top of your speaker’s capabilities, let it unload its madness and rage onto you without forgiveness and with true unfettered reckless abandon. Let the speakers bleed your ears, let your neighbours call the local station, and move without a care in the world to hold you down.