Bringing together a confluence of delectably decadent synthesizers and a funky groove to match, ‘Transcendental Souvenirs’ exists as a record that’s immaculately arranged. The Mietus Touch, a solo project from multi-instrumentalist producer Joseph Mietus has a silky smoothness to his records. The sultry vocals, the multi-layered production, and the dedication to genre eclecticism gives his name credence it deserves. A Midas touch, indeed. Heralded as ‘Father John Misty with synths’, it’s not hard to see where that description fits. There’s a calmness and assuredness to his vocals, with the synth work offering a depth and intermeshing to sink into. Tame Impala comparisons will invariably be drawn, but The Mietus Touch is far more funky than psychedelic.
The track that made me fall in love with the record came in at number three, ‘Edge of Heaven’. The slow burner hits a high towards the end that’s infused with feeling and a deep sense of hopefulness in love. Songs like ‘Last Lost Look’ highlight the sheer attention to detail that Joseph has. It listens like a love song, but with a pulsating edge that’s reminiscent of a Baba O’Riley level speed. While ‘Digits’ is the album’s radio banger, it’s the slow burners that keep you most captivated. The sense of ethereal elation, floating on top of a sea of synthesizers and over produced vocals provides a sense of absolute serenity.
Having played across Chicago, the time has now come for Joseph’s project to ascend to greater heights. The album which started as a love letter to friendship, slowly progressed and evolved into a tale of heartbreak and healing. Undeniably, the project is one that’s rife with emotion that’s expressed both through production and vocals. Synth pop, but not the overwhelming glamour of the 80s style, more so in line with the serene psychedelia of a Tame Impala.